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Thread: Lens for Bands

  1. fair enough
    Canon 1D Mark III -- Canon 5D
    L Lens Travel Kit = 70-200 f/2.8L IS · 24-70 f/2.8L · 16-35 f/2.8L
    Non-L Primes = 15mm Fisheye · 50 f/1.4 · 85 f/1.8 · 100mm Macro
    Alienbees lights (6) + Ringlight + Vagabond II
    Nikon SB28 (3) · Nikon SB80DX (1) · Canon 580EX (2) · Pocket Wizards (7)

  2. Join Date
    Dec 2009
    Location
    S,E, Indiana U.S.A.
    Posts
    12

    Long time band shooter

    I started shooting local bands with digital in 2000. I shot them with film for decades before that. When I used the D1,D1H,D1X I was limited to ISO800 and used only f/2.0 of faster primes. On the DX sensor I used mostly 35mm f/2.0, 50mm f/12 MF or f/1.8 AF and an old 85mm f/1.8 MF. I now shoot a D3 set at auto ISO max'ed at 6400. I now use the 35-70 f/2.8 push-pull zoom and the 80-200 f/2.8 push-pull when shooting live performers. One thing that is critical is proper hand holding technique. With a 50mm lens I feel reasonably sharp images down to 1/10 or 1/15 sec. are attainable at least 75% of the time. I get a lot of faces and torsos that are sharp with guitarists hands a blur. Very cool. Try to get sharp drummers but 180 degree stick blur. If you can get the shutter speed down to a crawl and keep sharp performers the action will scream at the viewer. If I can make saleable work with the "worlds noisiest DSLR" the D1X, then just about anyone should have some luck with a little practice using about any DSLR out there.

    Much of my older work can be seen at my pbase account, my username in the live bands folder.
    http://www.pbase.com/jstuedle
    Web site under construction!!!
    http://www.picture-daddy.com/



    "You only get one sunrise and one sunset a day and you only get so many days on the planet. A good photographer does the math and doesn't waste either."
    Galen Rowell

    When bad men combine, the good must associate; else they will fall, one by one, an unpitied sacrifice in a contemptible struggle.-- Edmund Burke

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