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Thread: Depth of a Grafitti Gal

  1. Depth of a Grafitti Gal

    Name:  IMG_6174©.jpg
Views: 113
Size:  228.5 KB Name:  IMG_6156©.jpg
Views: 114
Size:  134.2 KB

    Image #1
    Shooting Mode Portrait
    Tv( Shutter Speed ) 1/200
    Av( Aperture Value ) 4.5
    Metering Mode Evaluative Metering
    Exposure Compensation 0
    ISO Speed 100
    Lens 70.0 - 300.0 mm
    Focal Length 130.0 mm
    Image Quality Normal
    Flash Off
    White Balance Mode Auto
    AF Mode One-Shot AF
    Parameters Settings Contrast Mid. High
    Sharpness Mid. High
    Color saturation Mid. High
    Color tone 0

    Image #2

    Shooting Mode Portrait
    Tv( Shutter Speed ) 1/400
    Av( Aperture Value ) 4.5
    Metering Mode Evaluative Metering
    Exposure Compensation 0
    ISO Speed 100
    Lens 70.0 - 300.0 mm
    Focal Length 168.0 mm
    Image Quality Normal
    Flash Off
    White Balance Mode Auto
    AF Mode One-Shot AF
    Parameters Settings Contrast Mid. High
    Sharpness Mid. High
    Color saturation Mid. High
    Color tone 0
    Last edited by Toe Knee"F"; 03-04-2010 at 02:06 PM.
    I'm not a Rebel...My Camera is

  2. Join Date
    Jan 2010
    Location
    Myrtle Beach SC
    Posts
    129
    I like the second one, her eyes look like she is staring you down. What is the filter or effect you ran on the first one? Were you trying to do something in the picture I missed? The line on the hair jumped out at me.

  3. Quote Originally Posted by SNAPaPHOTO View Post
    What is the filter or effect you ran on the first one? Were you trying to do something in the picture I missed? The line on the hair jumped out at me.
    It came out a little dark, so I used curves after I layered it, then the eraser tool
    I'm not a Rebel...My Camera is

  4. Quote Originally Posted by Toe Knee"F" View Post
    It came out a little dark, so I used curves after I layered it, then the eraser tool
    Tony,

    You could really use some fill-flash in the face here. This is a common problem with shooting outdoors and in natural light. The Eyes look dead and you can't really even tell what color they are. Even if you are shooting in bright (hard) daylight, you need to use a reflector or fill flash to get the light up in the eye sockets and eliminate that dead-eye look that really kills an otherwise great photo.

    This is why you need to master fill flash: you have to be able to use fill flash (or light) without affecting the overall exposure of the image, so you can't tell there was flash (light added) involved.
    CJ
    Gulf Coast Imaging Studios
    Texas City, TX

  5. Thanks for the advice CJ...I had a pretty nice flash unit, lent it to my niece a couple of years ago and haven't seen it since...Damn relatives heh heh
    I'm not a Rebel...My Camera is

  6. Quote Originally Posted by Toe Knee"F" View Post
    Thanks for the advice CJ...I had a pretty nice flash unit, lent it to my niece a couple of years ago and haven't seen it since...Damn relatives heh heh
    Haha...fortunately I don't ever lend equipment out. (On occasion I do, but it is another professional that I KNOW is fully insured.) I have four of the Quatum T5DR units and several batteries and use them constantly outside for location work and weddings. I had Canon 580's but never could get TTL to work worth a crap (inconsitent exposure) so I sold those. I can do more with the Quantums that the 580's anyway, even though they cost a little more on the front end.

    A good flash unit is worth it's weight in gold.
    CJ
    Gulf Coast Imaging Studios
    Texas City, TX

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